This poem is generally about abortion and the feelings a mother has

Gwendolyn Brooks has been a prolific writer. In addition to individual poems, essays,and reviews that have appeared in numerous publications, she has issued a number of booksin rapid succession, including (1953),(1956),and (1968). Her poetry moves from traditional forms including ballads,sonnets, variations of the Chaucerian and Spenserian stanzas as well as the rhythm of theblues to the most unrestricted free verse. In short, the popular forms of English poetryappear in her work; yet there is a strong sense of experimentation as she juxtaposeslyric, narrative, and dramatic poetic forms. In her lyrics there is an affirmation of lifethat rises above the stench of urban kitchenette buildings. In her narrative poetry thestories are simple but usually transcend the restrictions of place; in her dramaticpoetry, the characters are often memorable not because of any heroism on their part butmerely because they are trying to survive from day to day.

"The Mother" by Gwendolyn Brooks Abortions will not let you forget
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Although her poetic voice is objective, there is a strong sense that she--as anobserver--is never far from her action. On one level, of course, Brooks is a protest poet;yet her protest evolves through suggestion rather than through a bludgeon. She sets forththe facts without embellishment or interpretation, but the simplicity of the facts makesit impossible for readers to come away unconvinced--despite whatever discomfort they mayfeel--whether she is writing about suburban ladies who go into the ghetto to giveoccasional aid or a black mother who has had an abortion.

Poetry Analysis of "the Mother"

Synopsis of "the Mother" By Gwendolyn Brooks Gwendolyn Brooks is a modernist poet, who wrote the anti-abortion poem, "The Mother". In,
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With aspirations to publish, and heavily influenced by the well-known , Gwendolyn was destined to share her gift of to the world–so much so that her mother made the prediction of saying Gwendolyn was going “to be the lady Paul Laurence Dunbar.” And fortunately, Jackson provides readers an opportunity to read her work, while simultaneously learning the evolution of each piece and its connection to Brooks’s life.