SparkNotes: One Hundred Years of Solitude: Themes

The journalist turns the car around, drives home, and sells the car for money. He begs his landlord and local stores for credit to keep him and his family going. Nine months later, out comes One Hundred Years of Solitude – one of the most important books of the century. It wins him the Nobel Prize for literature. It gets translated into a bazillion languages. And just like that, becomes one of the world's most famous living authors. Pretty cool, right? You try writing a world-renowned masterpiece in nine months and let us know how it goes.

No Buendía in One Hundred Years of Solitude lacks for energy, and almost none is lazy

Solitude. Examples are found of this idea throughout the one-hundred-year life of Macondo and the Buendia family. It is both an emotional and physical solitude. It is shown geographically, romantically, and individually....


One Hundred Years of Solitude - Novel Summaries Analysis

Lois Parkinson Zamora has said “Like Revelation, One Hundred Years of Solitude sums up the Bible” (Bloom 51).

The Buendia family, from Gabriel Garcia Marquez's “One Hundred Years of Solitude”, is a perfect example of the mystical doom that follows through generations.


Critical Insights: One Hundred Years of Solitude - Salem …



The novel begins with geographic isolation. Jose Arcadio Buendia shouts, "God damn it! Macondo is surrounded by water on all sides!" Whether it is, in truth, an island is irrelevant. The town believed itself to be cut off from the rest of the world. In addition, Jose Arcadio Buendia and Ursula are looking for solitude. The founding of Macondo was a result of escaping Jose Arcadio Buendia's murder of Prudencio Aguilar. Aguilar's ghost haunted them, eventually forcing them to retreat.

The family seems to remain very involved within itself. Much of this is Spanish culture. In Spanish-speaking countries, it is not uncommon to find many generations of the same family living in one house. The Buendia house always has various relatives within it. Yet, this is not the only explanation. The incest of the family is a theme throughout the novel, and is a significant factor in the solitude of this family. If a family rarely turns to others to branch out, it eventually becomes completely turned in upon itself: isolated and detached.

Occasionally, the family poisoned with the fate of solitude does reach out. Those who interact with this family share in its unfortunate fate. First to Pilar Ternera, the sexual companion of two of the Buendia boys. Following this sexual interaction, Pilar spends the rest of her life alone. The same pattern is seen with Petra Cotes, simply with another generation. Another example is demonstrated by Remedios Moscote. She is another outsider, paired with Aureliano Buendia. Soon after their marriage she dies unexpectedly and violently.

English Essays: Motif in one Hundred Years of Solitude



Solitude, whether it be perceived or real, individual or collective, physical or emotional, condemns a race to self-destruction. Garcia Marquez illustrates that point in every aspect of One Hundred Years of Solitude, letting the reader walk away with the realization that all acts society, such as sex, love, and dependence are essential for the survival of any species.

One Hundred Years of Solitude Flashcards | Quizlet

Recollecting her years with Percy, Mary wrote in her journal on 19 December 1822: "France--Poverty--a few days of solitude & some uneasiness--A tranquil residence in a beautiful spot--Switzerland--Bath--Marlow--Milan--The Baths of Lucca--Este--Venice--Rome--Naples--Rome & misery--Leghorn--Florence Pisa--Solitude The Williams--The Baths--Pisa--These are the heads of chapters--each containing a tale, romantic beyond romance." The eight years Mary and spent together were indeed characterized by romance and melodrama. During this period Mary and Percy, both extremely idealistic, lived on love--because of extended negotiations over the disposition of the estate of Percy's grandfather--without money, constantly moving from one placed to another. Mary gave birth to four children, only one of whom survived to adulthood. The first, a girl, was born prematurely and died eleven days later in 1815; William, born in 1816, died of malaria in 1819; Clara Everina, born in 1817, perished from dysentery the next year; Percy Florence, born in 1819, died in 1889. In 1822 Mary miscarried during her fifth pregnancy and nearly lost her life. With the suicides of Fanny Godwin and Harriet Shelley in 1816, death was much on her mind. Numerous critics--among them Ellen Moers, , and Susan Gubar--have pointed out the link between the themes of creation, birth, and death in and Mary Shelley 's real-life preoccupation with pregnancy, labor, maternity, and death.