Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage, And then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing.” These words expressed by Macbeth reveal the theme of the play....
While scientific arguments, such as a heliocentric universe, offer positive contributions to his revolutionary political theory, Milton hesitates before the theological ramifications. A decentralized universe—or one centered on something other than man, created in God's image—requires each object to behave predictably and suitably within the larger scheme, "each in thir several active Sphears assign'd" (). If this pattern fails, chaos will result. As Rogers notes: "Satan, in Book Two, promises Chaos that he will work to return to its original chaotic state the belated imposition of creation. . . The possibility of a chaotic resurgence has no meaningful role in the poem's cosmology, but its expression voices Milton's fear, perhaps not so unsound, of an ever-encroaching political chaos" ( 142). In the wake of the English Civil War, anarchy was too tangibly the political counterpart of this return to chaos.
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The connotations behind the word “promis’d” signal Macbeth’s lack of understanding about the witch’s prophecies revealing that human beings are susceptible to manipulation when obsessed with the outcomes.