A Modest Proposal by Jonathan Swift

Accordingly, in Augustine's view, any hypothetically perfect things (like God or heaven in Christian theology) by definition do not and cannot change, and therefore these perfect things must not experience time as imperfect humanity does. They are sub specie aeternitatis, outside of time completely and viewing all things in the bubble at time simultaneously. Accordingly, states of time (past, present, and future) are merely illusions we experience. The past only appears to be over and the future only appears not to have happened yet because our mortal perception is limited to the present moment rather than experiencing all reality at once. In Saint Augustine's thinking, perfect and spiritual beings outside of time experience or observe past, present, and future simultaneously. For Saint Augustine, this idea of time allows God to have knowledge of future events and choices humans make while preserving human free will, suggesting God can know what choices we will make tomorrow (because we actually have already made the choices), without God necessarily causing those choices to happen through his own influence--foreknowledge without causation. In terms of God's perceptions, all those future choices already happened and are done with--humans just don't know it yet.

A writer may point a satire toward a person, a country, or even the entire world

MILTONIC HERO: An who is a romanticized but wicked character, especially a charismatic one who defies authority and conventional morality, and becomes paradoxically ennobled by his peculiar rejection of virtue. In this sense, Milton's Satan in may be considered sympathetically as an antihero. Other literary examples might be Heathcliffe in Wuthering Heights and the demonic Melmoth in Melmoth the Wanderer. Byronic heroes are associated with destructive passions, sometimes selfish brooding or indulgence in personal pains, alienation from their communities, persistent loneliness, intense introspection, and fiery rebellion. See also .

A modern face of satanism and the left hand path

MIDVERBS: As Kolln and Funk define it, midverbs are a group of verbs that have characteristics of both transitive and intransitive verbs. Like transitive verbs, they require a word following them--much like an object or a complement. However, the complements are not exactly like direct objects because they do not explain "what" or "whom" is receiving the action. Instead, the complements of midverbs provide information about amount or measurement (Kolln and Funk 55). Examples include the verbs weigh and cost (55). For instance, "The corpse weighed two-hundred pounds." Here, weighed is a midverb. The word pounds is sort of like a direct object to the verb weighs, but since it shows an equivalence with corpse, it is sort of like a predicate noun or a subject complement also. Kolln and Funk handle this blurred categorization by treating clauses with midverbs as Pattern VI sentences--i.e., they treat the complement as a mere adverbial.